What is carl orff known for
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Carl Orff
German composer (1895–1982)
"Orff" redirects here. For other uses, see Orff (disambiguation).
Carl Heinrich Maria Orff (German:[kaʁlˈɔʁf]ⓘ; 10 July 1895 – 29 March 1982) was a German composer and music educator,[2] who composed the cantataCarmina Burana (1937).[3] The concepts of his Schulwerk were influential for children's music education.
Life
Early life
Carl Heinrich Maria Orff was born in Munich on 10 July 1895, the son of Paula Orff (née Köstler, 1872–1960) and Heinrich Orff (1869–1949). His family was Bavarian and was active in the Imperial German Army; his father was an army officer with strong musical interests, and his mother was a trained pianist. His grandfathers, Carl von Orff (1828–1905) and Karl Köstler (1837–1924), were both major generals and also scholars.[5][6] His paternal grandmother, Fanny Orff (née Kraft, 1833–1919), was Catholic of Jewish descent. His maternal grandmother was Maria Köstler (née Aschenbrenner, 1845–1906). Orff had one sibling, his younger sister Maria ("
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Carl Orff - Biographical sketch
Orff's music, his musikē - I use the Greek term on purpose - offers less for the ear than traditional opera music. But it involves all the senses; for it is not only sound, but also dance, not only sound, but also play, not only song, but also scene, theatre - it is music in the sense of an art of music that unites and unites all the arts, as the Greeks first conceived it.
(Hans Maier)
Carl Orff was born in Munich on 10 July 1895. He began piano lessons at the age of five and later studied the cello and organ. From 1903, there is evidence of regular visits to the theatre and opera. His first printed work, the song "Eiland, ein Sang vom Chiemsee", appeared in 1911, even before Orff had attended systematic courses in music theory. From 1912 to 1914, he studied composition with Anton Beer-Walbrunn at the Munich Academy of Music, and from 1914 onwards he studied piano with Hermann Zilcher. In 1915, Orff gained his first practical experience in the theatre, working as a répétiteur and becoming Kapellmeister at the Munich
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Biography
‘Everything I’ve written to date, and which you’ve unfortunately printed, can be destroyed. With Carmina Burana my collected works begin.’ So Carl Orff told his publisher after the first performance of that work in the mid−1930s. His pride in this dynamic setting for soloists, chorus and orchestra of bawdy poems written by medieval Benedictine monks is understandable. The pulsating rhythms and primitive melodic patterns of its opening number ‘O fortuna’ have become instantly recognisable. Born into a family of army officers, Orff studied composition at the Munich Akademie der Tonkunst before World War One. Later exposure to music by Debussy and Schoenberg proved more stimulating. So too did the chance to conduct in the theatre. During the 1920s he conducted the Munich Bach-Verein and spent much time discovering and arranging music by Monteverdi and Schütz. In 1924 he co-founded a school for gymnastics, which enabled him to pioneer new ideas for educating children through the use of music and dance. His approach, known as the Orff-Schulwerk, was based on an elemental ap
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