What was guillaume dufay known for
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Guillaume Dufay
The works of the Netherlandish composer Guillaume Dufay (ca. 1400-1474) marked the beginning of the Renaissance and influenced the course of music during the 15th and 16th centuries.
Born probably in the province of Hainaut in what is now Belgium, Guillaume Dufay received his musical training at the cathedral school of Cambrai under Nicholas Malin and Richard Loqueville (1409-ca. 1419). One of Loqueville's three-voice works is preserved in a four-voice arrangement by Dufay. Cambrai was famous for its cathedral school and for its bishop, Pierre d'Ailly, one of the more influential figures in the Church at this time, who was also chancellor of the University of Paris. Dufay may have been in his retinue during the bishop's stay at the Council of Constance (1414-1418).
This gathering of churchmen from all over Europe may have been the occasion of Dufay's introduction to his first Italian patrons, the Malatesta family. He was in Rimini at the court of the Malatestas in 1419/1420; the works he wrote for members of the family date from this time until 1426.
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Guillaume Dufay (1397-1474) - A discography
This section is by Pierre-F. Roberge.
Missa « Se la face ay pale »
Recordings of the mass (complete with/without a Proper) by year of recording:
Vanguard « The Bach Guild » BG 653 [LP, mono]
Guillaume Dufay: Missa « Se la face ay pale » – Jacob Obrecht: Missa « Sub tuum praesidium confugimus »
Vienna Chamber Choir with Ensemble of Renaissance Instruments – Hans Gillesberger, dir.Harmonia Mundi HM 30 683 [LP, mono]
Guillaume Dufay: Missa « Se la face ay pale »
Tölzer Knabenchor / Colllegium Aureum – Gerhard Schmidt-Gaden, dir.EMI/HMV CSD 3751 [LP]
Guillaume Dufay: Se la face ay pale (Mass & Chanson)
The Early Music Consort of London – David Munrow, dir.Lyrichord LLST 7274 [LP]
Guillaume Dufay: Missa « Se la face ay pale » & Chansons
Capella Cordina – Alejandro Planchart, dir.Focus 882 [Cass.]
Guillaume Dufay: Missa « Se la face ay pale », a complete nupt