August wilson children

August Wilson

(1945-2005)

Who Was August Wilson?

Famed playwright August Wilson wrote his first play, Jitney, in 1979. Fences earned him a Pulitzer Prize and a Tony Award in 1987. Wilson won another Pulitzer Prize in 1990, for The Piano Lesson. In 1996, Seven Guitars premiered on the Broadway stage, followed by King Hedley II in 2001 and Gem of the Ocean in 2004. Wilson died on October 2, 2005, in Seattle, Washington.

Quick Facts

FULL NAME: Frederick August Kittel
BIRTHDATE: April 27, 1945
BIRTHPLACE: Pittsburgh, Pennsylvania
DEATH: October 2, 2005
SPOUSE: Constanza Romero (m. 1994-2005), Judy Oliver (m. 1981-1990), Brenda Burton (m. 1969-1972)
CHILDREN: Sakina Ansari
ASTROLOGICAL SIGN: Taurus

Early Life and Education

Wilson was born Frederick August Kittel in Pittsburgh, Pennsylvania, on April 27, 1945. His mother, Daisy Wilson, was of African American heritage. His father was a German immigrant named Frederick Kittel.

As a child, Kittel attended St. Richard's Parochial School. When his parents divorced, he, his mother and his siblings moved from the poor

August Wilson

American playwright (1945–2005)

This article is about the late-20th-century writer. For the late-19th-century writer Augusta J. Evans Wilson, see Augusta Wilson. For the United States Navy sailor, see August Wilson (Medal of Honor).

August Wilson (né Frederick August Kittel Jr.; April 27, 1945 – October 2, 2005) was an American playwright. He has been referred to as the "theater's poet of Black America".[1] He is best known for a series of 10 plays, collectively called The Pittsburgh Cycle (or The Century Cycle), which chronicle the experiences and heritage of the African-American community in the 20th century. Plays in the series include Fences (1987) and The Piano Lesson (1990), each of which won Wilson the Pulitzer Prize for Drama, as well as Ma Rainey's Black Bottom (1984) and Joe Turner's Come and Gone (1988). In 2006, Wilson was inducted into the American Theater Hall of Fame.

Other themes range from the systemic and historical exploitation of African Americans, race relations, identity, migration, and racial discrimination. V

In just fifteen years, American playwright August Wilson has become one of the most important voices in modern theater. He has won acclaim from literary and theater critics for his plays, which portray the African American experience in the twentieth century, one decade at a time.

Born Frederick August Kittel in 1945 to a white German-American father and an African American mother, Wilson took his mother's name in the early 1970s. He grew up in Pittsburgh's ethnically diverse Hill District, where he was surrounded by the sounds, sights and struggles of urban African American life that would later fuel his creative efforts. But Wilson's appreciation for the culture in which he had grown up did not bloom fully until he moved to St. Paul, Minnesota, in his early thirties. From that distance, he gained an appreciation of the richness of the culture and the language of the place where he had spent his youth.

"In the Hill District, I was surrounded by all this highly charged, poetic vernacular which was so much part and parcel of life that I didn't pay any attention to it. But in movi

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