Michelangelo pdf
- Michelangelo complete works pdf
- 'Putti' was created in 1511 by Michelangelo in High Renaissance style.
- Late in life — a life of 89 years — Michelangelo was deeply affected by the sober puritanism of the Counter Reformation.
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Amorous Putti at Play; Head of a Bird (1530)
Michelangelo di Lodovico Buonarroti Simoni, known simply as Michelangelo , was an Italian sculptor, painter, architect and poet of the High Renaissance born in the Republic of Florence, who exerted an unparalleled influence on the development of Western art. His artistic versatility was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Several scholars have described Michelangelo as the greatest artist of his age and even as the greatest artist of all time.
A number of Michelangelo's works of painting, sculpture and architecture rank among the most famous in existence. His output in these fields was prodigious; given the sheer volume of surviving correspondence, sketches and reminiscences, he is the best-documented artist of the 16th century. He sculpted two of his best-known works, the Pietà and David, before the age of thirty. Despite holding a low opinion of painting, he also created two of the most influe
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Michelangelo Maestri
Italian painter
Michelangelo Maestri was an Italian artist of the 18th century who died in Rome in 1812. His finest compositions are based on motifs from antique frescos discovered in Pompeii and Herculaneum and from designs by Raphael or his pupil Giulio Romano. His work became very popular and often purchased by European travelers during their Grand Tour.
Some of his most famous gouaches portray putti leading animals on a chariot and were inspired by ceiling frescoes in the salone of Villa Lante, on the Janiculum Hill in Rome. Francesco Piranesi and Tommaso Piroli published these frescoes in a series of engravings in 1805 and attributed each drawing to Giulio Romano. Maestri probably knew the engravings as his inscriptions beneath the framing lines (describing the different types of love) are similar to those reported by Piranesi and Piroli.
References
- M. Natale, Musée d'art et d'histoire Genève, Peintures italiennes du XIVe au XVIIIe siècle, Geneva, 1979, p. 569-570.
- T. Carunichio, Villa Lante al Gianicolo: storia della fabbric
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